The Cost of the Unlimited – The Bradley Scout

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Graphic by Kyle St. John

Animation has been linked to the film industry since the heyday of Hollywood, and there is no shortage of animation in entertainment today.

However, many animated films created today have stuck to a format that has rarely deviated since the early 2000s.

This format includes extensive use of CGI templates and mature themes aimed at a younger demographic. Pixar has released films like “Inside Out” and “Zootopia,” which tackle mature themes like anxiety and racism that few media outlets are willing to address when targeting audiences that include children.

There is no end to varied animated TV series on different streaming services. Movies, on the other hand, fell apart when it came to variety in animation.

Animation in the film industry is largely stuck as an oligopoly (a market largely controlled by a small number of producers), as the cost of labor devoted to it is an insurmountable hurdle. To that end, it’s understandable why so many studios tend to play it safe when it comes to creating animated films.

Big studios like Disney and Netflix have set out to create CGI, live-action adaptations of previous animated properties while also making much of the same comedy / adventure films they’ve created before, with “Lion King” and “Sonic”. the Hedgehog “being two important examples.

Much of the stigma surrounding cartoons has only made them occupy the same place in American culture.

This stigma prevents the making of a more serious animation similar to the famous “The Prince of Egypt”, as it makes dramatic uses of the medium seen as hokey and cheesy.

So when “Spider-Man: Into the Spider-Verse” came out, it was in stark contrast to anything that was being released by other studios. The vision behind the film and the bold new style featured earned the film an Oscar deservedly. He provided both great writing and brilliantly directed sequences, showing the strengths of the medium.

Ideas for how an animated film intended for adults might be created have remained unexplored over the past decade. The weight of an emotion running through a character’s face in both live action and a cartoon can take very different, but equally powerful, directions.

It is only by expanding the genres of animation in cinema that the stigma behind it can be lessened.


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